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Please note that some areas of our site will be closed to the public on Saturday 21 and Sunday 22 December due to high winds. The Christmas Present Trail will be running as normal.

Christmas Opening Times
We will be open as usual except for the following dates – Christmas Eve – 10am – 3pm, Christmas Day and Boxing Day – Closed, New Years Eve – 10am – 3pm

Dutch Flowers

29 October 2022 – 15 January 2023

Dutch Flowers ran from 29 October 2022 – 15 January 2023.

This exquisite exhibition explored the development of Dutch flower painting from its beginnings in the early 17th century to its blossoming in the late 18th century. It featured a selection of the finest examples of Dutch flower paintings from the National Gallery’s collection, including works by Ambrosius Bosschaert the Elder, Rachel Ruysch and Jan van Huysum.

A still life painting of a vibrant flower arrangement. The vase contains a lush bouquet of various flowers in shades of red, pink, white, and yellow. The flowers include tulips, roses, lilies, and other blooms. The arrangement is set against a dark background, and there are a few small details like a butterfly and shells scattered around the base.
Ambrosius Bosschaert the Elder, A Still Life of Flowers in a Wan-Li Vase on a Ledge with further Flowers, Shells and a Butterfly, 1609-10 © The National Gallery, London

About the
Exhibition

At the turn of the seventeenth century, Netherlandish artists such as Ambrosius Bosschaert the Elder were among the first to produce paintings that exclusively depicted flowers. The sudden emergence of this genre was undoubtedly linked to the development of scientific interest in botany and horticulture. By the 1630s speculative prices for the most coveted bulbs and flowering plants had reached spectacular heights – the so-called ‘Tulipmania’. Although prices soon crashed, the Dutch enchantment with flowers endured.

The earliest flower paintings feature flat, symmetrical arrangements comprising flowers from different seasons. Over the course of the seventeenth century, bouquets become more relaxed, with symmetrical rhythms and a willingness to overlap even the most costly flowers to create a more natural sense of depth. By the end of the following century, flower paintings were considered largely decorative, with a lighter palette more in keeping with ‘modern’ tastes.

Exhibition organised by the National Gallery, London, with Compton Verney.